THE HAPPY ONES

 

                 for Craig

 

If it was William Holden sitting with his back to your view

on Los Feltz Boulevard, the convent on two hills

with a wooden bridge from wing to wing,

he'd be drinking down a woman drinking in the scene.

If it were Fatty Arbuckle, he'd probably be

on his knees looking for a butter‑knife,

a half moon rising behind him

like a clown face from the Hollywood Hills.

 

No, that's the dome of the observatory

from Rebel Without A Cause.

Dean is up there facing down at you,

his arms wide, egging you on.

It's the star take on your balcony,

the San Gabriel mountains like cowled

figures in the smog, waiting for snowy collars,

waiting out of season for just a hint of sea.

 

Here in the East it's all I look toward,

the ocean, though it tends to shrink life,

the tidal plosives spitting big lonely deal

on my skin, its strictly Iife‑or‑death smell.

From deep in a suburban crowd of trees

I vainly follow these thoughts

like trying to keep up with the plan

of a thousand dizzy leaves in one strong wind.

 

We share this sky, at least.  I imagine we turn

together to look south and stare down trouble,

compounded by shining glass eyes in rows and columns.

It's the world we actually believe would have us:

the skyscrapers of Los Angeles

that bank on the game‑ghosts of laughter,

and Washington's marble value warehouses,

where meaning is polled and found to be unpopular.